Nationality: American
Born : November 3, 1965
Trying to cast the lead role of Mel Coplin, an adoptee searching for his biological parents in the wake of his own son's birth in the comedy "Flirting With Disaster" (1996), writer-director David O. Russell knew what he wanted: "a young Dustin Hoffman type, who was kind of urban, kind of smart and ethnic." Ben Stiller, the only son of the venerable husband-and-wife comedy team of Jerry Stiller and Anne Meara, convinced Russell that he could fill the bill. Increasingly busy before and behind the camera, the curly-haired, quirkily handsome actor-writer-director seemed well poised to become the poster boy for Generation X era comedy--regardless of his stated discomfort with such a designation. With decisive roles played by nepotism, "Saturday Night Live" and MTV, Ben Stiller's swift career trajectory may be somewhat paradigmatic to those for whom the name "Barrymore" evokes "Drew" before "John" or "Lionel".
Stiller utilized his connections to land his first professional acting job in the 1985 Lincoln Center revival of John Guare's dark comedy "The House of Blue Leaves" (his mother was in the original production) after two years of struggling. During its run, he made a short comic film with the play's cast (which ended up airing on "Saturday Night Live"). In 1987, Stiller reprised the role of the son, Ronnie Shaughnessy, a would-be papal assassin, for the play's PBS "American Playhouse" production. In that same very productive year, he also made his film acting debut in Steven Spielberg's "Empire of the Sun" and his TV writing and acting debut in a ten-minute short parody of Martin Scorsese's "The Color of Money" for NBC's "Saturday Night Live", in which he offered a devastating caricature of Tom Cruise. He subsequently remained as a featured player and apprentice writer on "SNL" for about a year. (Stiller reportedly left due to creative frustration; the show had limited interest in him directing film clips.)
In 1989, he was given his own half-hour comedy/variety show on MTV entitled "The Ben Stiller Show". A prototype to his more elaborate network effort, the series suffered from music video interruptions and the lack of proper format that would have allowed Stiller to showcase his considerable talents. He also continued working in films, playing supporting roles in such diverse misfires and mediocrities as "Hot Pursuit" (1987, with his father), "Fresh Horses" (1988), "That's Adequate" (1989, with his parents and sister Amy), "Next of Kin" (1989), the Bette Midler weeper "Stella" (1990) and "Highway to Hell" (1992, another family get-together).
A career turning point came when Fox TV signed him for "The Ben Stiller Show" (1992-93), a sketch comedy program with an emphasis on pop culture parodies. An inspired spoof combining "The Munsters" and "Cape Fear" to create "Cape Munster" (which featured Stiller skillfully evoking a hybrid of Robert De Niro and Eddie Munster) was fairly emblematic of the show's irreverent sensibility. Other sketches, featuring skewerings of Bruce Springsteen and Tom Cruise, The Pig-Latin Lover, the amusement park Oliver Stoneland and the evil sock-puppet Skank made the show one of the hippest and funniest on TV, but it was canceled in its first season. Nevertheless, Stiller shared a writing Emmy for his efforts.
Stiller segued to the big screen as a filmmaker making his feature directorial bow with "Reality Bites" (1994), an old-fashioned romance marketed as a "Generation X" comedy. Co-starred with Winona Ryder and Ethan Hawke, he played a neurotic, workaholic music TV exec who occupies one point in the love triangle. The film received some positive notices--especially for Ryder's performance--and Stiller was commended for his skill with actors but his command of narrative storytelling was deemed shaky in some quarters. In any event, the ostensible target audiences largely steered clear.
Though it still remains too early to make any sweeping generalizations about Stiller's screen persona, one may note that, in his choices, he has eschewed conventional romantic leads in favor of problematic eccentrics. Though occasionally (and from certain angles) quite handsome on camera, Stiller has tended to undercut or lampoon his looks. As a sketch performer, he delighted in mocking such presumed studs as Cruise and U2's Bono. A not atypical film role had him playing an obnoxious fitness guru, the baddie, in the inferior Disney comedy "Heavyweights" (1995). This project was notable for reuniting him with Judd Apatow, here a producer-writer and formerly Stiller's collaborator on his Fox series.
Stiller returned to the director's chair for (and played a small role in) "The Cable Guy" (1996). Though budgeted at a formidable $40 million (half of which went to its ascendant star), this Jim Carrey vehicle dared to offer a change-of-pace as the rubber-faced comic played a darker, more menacing variation of his usual persona. Though the film has its share of admirers, "The Cable Guy" proved to be the first flop of Carrey's career as a superstar and stalled Stiller's behind-the-scenes work.
Also in 1996, Stiller enjoyed a solid art-house success with the starring role in "Flirting with Disaster", a rare straightforward romantic lead. He also brought manic energy to his portrayal of a conceptual artist with designs on Sarah Jessica Parker in the unsuccessful romantic comedy "If Lucy Fell". He finished out the year with a (shrewdly?) uncredited turn in fellow "SNL" alum Adam Sandler's feature vehicle "Happy Gilmore", as the smarmy operator of a nursing home.
1998, however, proved to be Stiller's breakout year as a performer. He began with an understated turn as the partner of a reclusive investigator in "Zero Effect", directed by Jake Kasdan. On the heels of that comic portrayal, he played a nebbish haunted by his high school prom date who hires a private detective to track her down in the Farrelly brothers' low-brow surprise blockbuster "There's Something About Mary". Ironically, he was not the studio's first choice for the role and had to fight for it. But he proved to be perfect, willing to go to any lengths for the part. He captured the awkwardness of a gawky teenager (especially when he caught his private parts in his zipper on the night of the prom) and the odd, forlorn adult version of the same character. As an actor, he was willing to undertake potentially embarrassing scenes and mine them for their humor. Applying a similar technique to dramatic material, Stiller essayed a weaselly college professor who embarks on an affair with his best friend's wife in Neil LaBute's "Your Friends and Neighbors" and capped the year with an all-out tour de force portraying drug-addicted screenwriter Jerry Stahl in "Permanent Midnight".
Stiller was next featured alongside longtime friend Janeane Garofalo in "Mystery Men" (1999), a disappointing comedy centered around a band of off-kilter superheroes. He rebounded the following year with a starring role in the oddly charming sleeper romance "Keeping the Faith", playing a rabbi who finds himself falling for the same childhood friend (Jenna Elfman) his best friend (Edward Norton as a Catholic priest) is also in love with. That same year he had a bona fide box-office hit with "Meet the Parents", starring as a man driven to desperation by the overprotective and overbearing father (Robert De Niro) of his would-be fiancée (Teri Polo). The feel-bad brand of slapstick comedy connected with a large audience, and Stiller proved not only as lovable a loser as he had in "There's Something About Mary", but a worthy screen partner of De Niro. Acting turns in the independents "The Suburbans" and the aptly named "The Independent" rounded out 2000 for the actor.
Stiller returned to the big screen in 2001 as a director and actor, helming and starring in the often riotous though somewhat poorly received "Zoolander", a send-up of the modeling world at once smart and silly. Released shortly after the tragic events of September 11th, the film lost some of its comedic steam but would find life as a cult favorite. He rejoined his "Zoolander" nemesis and frequent co-star Owen Wilson in "The Royal Tenenbaums", a masterful serio-comedy co-written by Wilson and director Wes Anderson and starring Gene Hackman, Anjelica Huston, Gwyneth Paltrow, Stiller and Luke Wilson as a family with great potential that slowly falls apart as they separate. Stiller's portrayal of anxiety-plagued, rage-ridden, red Adidas warm-up suit-garbed widower Chas featured some of the film's most honestly moving moments and garnered the performer critical accolades.
In 2002, after a cameo in Jake Kasdan's comedy "Orange County," Stiller appeared onscreen in "Run Ronnie Run", a feature adaptation of a popular sketch from the off-kilter HBO comedy series "Mr. Show Starring Bob and David". He next co-starred with Drew Barrymore in the flop "The Duplex" (2003), a black comedy about the lengths one will go to in order to rent the perfect apartment in New York City directed by Danny DeVito, but rebounded with mildly amusing and modest hit comedy "Along Came Polly" (2004), in which he played a risk assessment expert who, after his wife cheats on him during their honeymoon, learns to take chances when he falls for a free spirit (Jennifer Aniston).
Stiller had an amusing recurring stint on the 2004 season of the HBO sit-com "Curb Your Enthusiasm" playing himself as bedeviled by Larry David when the two are tapped to co-star in a stage production of Mel Brooks' "The Producers," and then he took on the role of TV cop Dave Starsky in the parody-minded 2004 version of the ABC cop drama "Starsky & Hutch" opposite his frequent collaborator Owen Wilson. While merely mildly amusing, that film was head and shoulders above Stiller's next effort, "Envy" (2004), an epic misfire co-starring Jack Black and directed by Barry Levison. Unfunny and incoherent in the extreme and begging the question why so many talented people agreed to make the film, "Envy" also relied too heavily on the most played-out elements of Stiller's now-familiar comedic persona.
The actor was slightly more amusing as the puffy-haired, mustached White Goodman, the ruthless if undereducated head of the Purple Cobras team, in the sports comedy "Dodge Ball" (2004). By this time, Stiller was clearly established as a central figure in what many characterized as a comedic Rat Pack-style clique of actors who frequently teamed up and/or cameoed in each other's films--the group also included Vince Vaughn, Will Ferrell, Owen and Luke Wilson and actor Steve Carell. The actor rebounded successfully at the end of the year with another stint as Gaylord "Greg" Focker in the popular comedy sequel "Meet the Fockers" (2004), which added his character's doting parents (played by Dustin Hoffman and Barbra Streisand) into the family fold. Stiller then lent his distinctive voice to “Madagascar” (2005), Disney’s animated adventure about four zoo animals who escape and inadvertently find themselves in Africa where the city slickers struggle to survive in the wild. His next project was "A Night at the Museum" (lensed 2006), a family comedy about a night security guard in the Museum of Natural History who unwittingly unleashes a curse that brings to life the bugs and animals on display.
See more information, his award, photo, cinematography, and more at www.variety.com
Showing posts with label Biography of Star. Show all posts
Showing posts with label Biography of Star. Show all posts
Mar 8, 2008
Ben Stiller's Biography
Aug 31, 2007
Movie Star's Biography: Jet Li
One of the most popular stars of Hong Kong films of the early 1990s, the compact, charismatic Jet Li was at one time considered the heir to the late Bruce Lee. A child prodigy in martial arts, he excelled in the high-kicking "wu shu" style, winning several national championships and traveling around the world (including a 1974 US visit to the Nixon White House). Before turning 20, Jet Li made his film debut as a fighting priest in "Shaolin Temple" (1982), which was banned in Taiwan but proved popular throughout Asia. After two sequels, "Shaolin Temple II: Kids From Shaolin" (1984) and "Shaolin Temple III: Martial Arts of Shaolin" (1986), both of which showcased his talents, Jet made his directorial debut with the unsuccessful "Born to Defend" (also 1986).
Since he had only been earning a limited salary, Jet Li obtained a two-year exit permit and settled in San Francisco with a Chinese actress who would briefly become his wife. "The Master" (filmed in San Francisco in 1989 but not released until 1992) was a minor modern-day kung fu thriller, more notable as the first time Jet Li worked with director Tsui Hark. Instead of returning to China in 1990, the actor settled in Hong Kong, where he attempted to rejuvenate his sagging career by signing with Golden Harvest. His breakthrough screen role came in 1990 when Tsui Hark cast him as real-life folk hero Wong Fei Hung in "Once Upon a Time in China". Despite critical carping over Jet Li's relative youth and his training in another martial arts discipline, the period piece offered the performer a strong role and he more than met the challenges exhibiting the requisite stoic aura. He went on to reprise the role in two sequels (in 1992), but an ankle injury forced the use of a double in several fight sequences. Nevertheless, Jet Li dominated the films in a role many felt he was born to play. The actor, however, felt financially under-appreciated and after a series of disputes parted company with Golden Harvest. (He was replaced by another actor for two sequels before resuming the franchise in 1997's "Once Upon a Time in China and America", which can be qualified as a kung fu Western.) Over a five year period (1992-97), Jet Li appeared in over two dozen films of varying quality. He scored as another martial artist folk hero "Fong Sai Yuk" (1993) and played his signature role of Wong Fei Hung in the uneven "The Last Hero in China" (also 1993), which he also produced. Additionally, he starred in the biopics "Tai Chi Master" (also 1993) and "New Legend of Shaolin" (1994), By the time of "Black Mask" (1996), an attempt to create a new franchise based on a popular Hong Kong comic book, his career was on the wane once again.
Despite numerous offers from bigwigs like Oliver Stone and Quentin Tarantino, Jet Li took his time following fellow HK actors Jackie Chan, Michelle Yeoh, Maggie Cheung and Chow Yun-Fat to L.A. At one time he was attached to a Jean-Claude Van Damme vehicle and withdrew just before filming. At last, in 1998, after the Asian economy dropped and film production suffered, Jet Li appeared in his first American studio film, playing the seemingly unbeatable martial artist villain opposite Mel Gibson and Danny Glover in the successful sequel "Lethal Weapon 4"—Li provided much of the heavy action lifting in the aging franchise, staying stone-faced while Gibson fired corny jokes at him (That same year the martial artist had another major Hong Kong hit, Wei Tung's "Sat sau ji wong" playing a reluctant rookie hit man opposite a seasoned veteran played by Eric Tsang).
Producer Joel Silver was sufficiently impressed with Jet Li's performance in his "Lethal Weapon" sequel that he signed the actor to headline his second major American film, envisioning the actor to have Jackie Chan-style crossover success—but replacing Chan's comedic bent with a romantic leading man edge. "Romeo Must Die" (2000)—directed by veteran cinematographer Andrzej Bartkowiak (who filmed Li in "Lethal Weapon 4") and choreographed by Li's longtime stunt coordinator Corey Yuen--attempted to meld a Shakespearean tragic romance to the high-kicking kung fu genre, pairing Jet Li with hip-artist Aaliyah as a star-crossed couple caught in the middle of a war between racially divided mobs in San Francisco. The film performed solidly at the box office, though critics, while praising the actor's physical prowess, decried the seemingly unnecessary use of computer-aided effects in the action sequences.
After arriving in Hollywood, Li spent much time expanding his English vocabulary and took a hiatus to marry and see his wife through her pregnancy, turning down Ang Lee's offer to star in "Crouching Tiger, Hidden Dragon" (2000). Inspired by his vow to protect his wife and child, Li received story credit on his next film, "Kiss of the Dragon" (2001), in which he plays a Chinese intelligence officer in Paris who comes to the aid of a single mom (Bridget Fonda) turned into a junkie hooker by a corrupt cop who kidnapped her daughter—the film mixed elements of writer-director Luc Besson's cult hit "The Professional" (1994) with Li's Bruce Lee homage "Jing wu ying xiong" (1994) a.k.a. "Fist of Legend" (Besson wrote the screenplay for "Kiss," a rare U.S.-Asian-French collaboration).
Next was "The One" (2001) for writer-director James Wong, which added a sci-fi element to Li's established genre, a garbled but often visually arresting tale in which Li plays both the hero Gabe Law, a popular and peaceable veteran of the Los Angeles County Sheriff's Department, and the villainous Gabriel Yulaw, his doppelganger from a parallel universe who by murdering his other-dimensional alter ego increases his strength, stamina and power to take over the multiverse.
The actor then segued into one of his greatest cinematic triumphs, "Ying xiong" (2002), which was released in the United States in 2004 under the title "Hero." Li teamed with celebrated writer-director Zhang Yimou—known more for character dramas than kicks and fisticuffs—Australian cinematographer Chris Doyle and Li's fellow Asian martial arts stars Zhang Ziyi, Tony Leung, Maggie Cheung, Daoming Chen and Donnie Yen for the big-budgeted tale set at the violent dawn of the Qin dynasty, circa 220 B.C., where the soon-to-be first Emperor is on the brink of conquering the war-torn land and three of his most passionate opponents (Cheung, Leung and Ziyi) are trying to assassinate him, opposed by the indomitable Li as Nameless, a lowly policeman who faces off against powerful forces. The film become a phenomenal hit in Asia and Europe, and was nominated for an Oscar in 2003 in the foreign language category before its North American release in 2004.
Along with the major international success, Li scored his largest Hollywood hit yet with "Cradle 2 the Grave" (2003), an action thriller that paired him with rapper actor DMX in a plot involving black diamonds and global annihilation--indeed, in the sleeper hit's opening weekend it solidly out-grossed the highly hyped Ben Affleck superhero film "Daredevil" (2003). Li next starred in the action thriller “Unleashed” (2005), playing Danny, a man trained since childhood to be a vicious fighter. Kept in a dank basement in rags and metal collar by his cruel Uncle Bart (Bob Hoskins), Danny finally breaks his bonds and finds redemption through love. The combination of martial arts and blunt sentimentality earned plenty of critical kudos, particularly for Li.
* Also Credited As:
Jet Lee, Jet Li Lian-jie, Lei Lin Git, Li Lian Jie
* Born:
on 04/26/1963 in Beijing, China
* Job Titles:
Actor, Singer, Producer
Family
* Daughter: Jada Li. born in 2002; mother, Nina Li
* Daughter: Jane Li. born in 2000; mother, Nina Li
Education
* Beijing Athletic School, Beijing, China, martial arts, 1971
Milestones
* 1971 Began to study wu shu, a form of martial arts, at age eight
* 1974 Represented China in wu shu demonstrations throughout the world; also won gold medals in 1975, 1977, 1978 and 1979
* 1974 Made first trip to the USA to perform in a wu shu troupe at the White House for President Richard Nixon
* 1974 Won first gold medal as champion of the youth national athletic competition
* 1982 Feature film debut in "Shaolin Temple"; also starred in two sequels in 1984 and 1986
* 1986 Directorial debut, "Born to Defend"; film was a box-office failure
* 1988 Obtained two-year exit visa from China; settled in San Francisco; married and divorced
* 1989 First feature filmed in the USA, "The Master", directed by Tsui Hark; film not widely released until 1992
* 1990 Moved to Hong Kong; signed to a contract by Golden Harvest
* 1991 Breakthrough role of Wong Fei-hung in "Once Upon a Time in China", directed by Tsui Hark
* 1994 Producing debut with "Bodyguard From Beijing"; also starred
* 1998 Cast in a villainous role in "Lethal Weapon 4"
* 2000 Signed to play Kato in the big screen version of "The Green Hornet" (still in development)
* 2000 Starred in "Romeo Must Die"
* 2001 Cast as a man chasing various incarnations of himself across several dimensions in the sci-fi martial arts thriller "The One"
* 2001 Had leading role in and co-produced "Kiss of the Dragon" co-produced and co-written by Luc Besson
* 2001 With Mel Gibson, executive produced the TBS movie "Invincible", a pilot for a proposed series to star Billy Zane
* 2003 Reunited with "Romeo Must Die" co-star DMX and director Andrzej Bartkowiak for "Cradle 2 the Grave"
* 2004 Teamed with Maggie Cheung in "Hero" (lensed 2001), directed by Zhang Yimou
* 2005 Played an orphan, raised by a crime boss (Bob Hoskins) to function like an attack hound in "Unleased," also starring Morgan Freeman and written by Luc Besson
* 2006 Returned to roots of kung fu in "Fearless" (final martial arts film)
* 2007 Played an assassin in "War" opposite Jason Statham
Jet Lie Photo Collection
Jul 26, 2007
Al Pacino Biography
Real Name: Alfredo Pacino
Occupation: Actor, Director, Writer
Date of Birth: April 25, 1940
Place of Birth: New York, NY, USA
Sign: Sun in Taurus, Moon in Sagittarius
Education: High School of the Performing Arts dropout; studiedacting at the Actors Studio and the Herbert Berghof Studio, both in New York City.
Relations: Kid: Julie Marie (mother, Jan Tarrant); Companion:Beverly D'Angelo (actress)
Nickname: Sonny
Height: 5' 6"
Mini Biography:
One of the greatest actors in all of film history, Al Pacino established himself during one of film's greatest decades, the 70s, and has become an enduring and iconic figure in the world of American movies. Born on April 25th, 1940 in New York City, Pacino's parents (Salvatore and Rose) divorced when he was young. His mother moved them into his grandparents' house. Pacino found himself often repeating the plots and voices of characters who he had seen in the movies, one of his favorite activities. Bored and unmotivated in school, the young Al Pacino found a haven in school plays, and his interest soon blossomed into a full-time career. Starting on the stage, Pacino went through a lengthy period of depression and poverty, sometimes having to borrow bus fare to make it to auditions. He made it into the prestigious Actors Studio in 1966, studying under the legendary acting coach Lee Strasberg, creator of the Method Approach that would become the trademark of many 70s era actors. Making appearances in various plays, Pacino finally hit it big with "The Indian Wants the Bronx", winning an Obie award for the 1966-67 season. Gaining notoriety on the theater scene, Pacino then won the Tony Award for "Does the Tiger Wear a Necktie?". His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a junkie in Me, Natalie (1969) and Panic in Needle Park, The (1971). What would come next would change his life forever.
The part of Michael Corleone in Godfather, The (1972) was one of the most sought-after roles in film history. Robert Redford, Warren Beatty, Jack Nicholson, 'Ryan ONeal, Robert De Niro, and a host of others were bandied about for the role, but director Francis Ford Coppola had his heart set on the unknown Italian Pacino. From the studio, to the producers, to the cast on down, nobody else wanted Al Pacino. Though Coppola won out through slick persuasion, Pacino was in constant fear of being fired and replaced at any minute during the hellish shoot. But the role was a career-making hit, and earned him his first Academy Award nomination for Best Supporting Actor. Instead of taking on easier projects for money, Pacino threw his support behind tough important films, such as the true life crime drama Serpico (1973) and the tragic real life bank robbery film Dog Day Afternoon (1975). Pacino opened eyes around the film world for his brave choice of roles; and he was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with the law film ...And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. This would unfortunately signal one of the only bad points in his career, one that produced the flops Cruising (1980) and Author! Author! (1982). He took on another vicious gangster role and cemented his legendary status in the ultra-violent Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino became terribly ill with pneumonia. Constant changes in the script also further derailed an already terrible project. The Revolutionary War film is considered one of the worst films ever, gained Pacino his first truly awful reviews, and kept him out of movies for the next four years.
Returning to the stage, Pacino has done much to give back and contribute to the theatre, which he considers his first love. He directed a film Local Stigmatic, The (1989) but it remains unreleased to the public. His self-imposed exile lifted, he returned in striking form in Sea of Love (1989) as a hard-drinking cop. The film marks the second phase of Pacino's career, the first film to feature his now famous dark, owl eyes and hoarse, gravelly voice. Making a return to the Corleones he made Godfather: Part III, The (1990), and earned raves for his first comedic role in the colorful Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992 he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mix of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic. The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann. He returned to the director's chair for the highly acclaimed and quirky Shakespeare adaptation Looking for Richard (1996). City Hall (1996), Donnie Brasco (1997), and Devil's Advocate, The (1997) all came out in this period. Reteaming with Mann and then Oliver Stone, he gave two commanding performances in Insider, The (1999) and Any Given Sunday (1999).
In his personal life, Pacino is one of Hollywood's most enduring and notorious bachelors, having never been married. He has a daughter Julie Marie with acting teacher Jan Tarrant, and a new set of twins with long-time girlfriend Beverly D'Angelo. His romantic history includes a long-time romance with Godfather co-star Diane Keaton. With his intense and gritty performances, Pacino was an original in the acting profession. His Method approach would become the process of many actors throughout time, and his unbeatable number of classic roles has already made him a legend among film buffs and all aspiring actors and directors. His commitment to acting as a profession and his constant screen dominance has established him as one of movies' legends.
*IMDb mini-biography by
Brian Stewart
Trivia
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Salary
Godfather: Part II, The (1974) $500,000 + 5% of gross
Godfather: Part III, The (1990) $5,000,000
Insomnia (2002) ca. $11,000,000
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