Mar 12, 2007

Cosmopolitan Current Issues

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Today Highlights


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Britney struggles with rehab

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Will the troubled star stick it out with her treatment?

Britney is struggling to cope with life in rehab and her family is worried she may drop out of treatment a source told US publication Us Weekly. Spears checked into the Promises Treatment Center in Malibu, California last month after several failed attempts at rehab.

The troubled star's cousin Alli offered her support over the weekend, staying overnight at the facility on Friday and visiting on Saturday and Sunday.

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Ungrateful Diva Alert

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Oscar winner Jennifer Hudson has hit back at American Idol judge Simon Cowell, comparing her experience on the talent show to working at Burger King.

Hudson - who was a contestant on the show in 2004 - was rejected and tipped for failure by Cowell.

When she went onto Oscar success through her role in Dreamgirls, Cowell accused Hudson of failing to appreciate the "big opportunity" her appearance on the show offered her.

But Best Supporting Actress Hudson snaps back, "If I'd been any better at my job when I was at Burger King in my middle teens I wouldn't be here either, so should I thank them too?"

Glossip described JHud perfectly, saying:

Jennifer Hudson is a prime example of what I like to call the Hollywood effect.

Take a perfectly reasonable person and put them in the spotlight, shower their asses with praise, tell them only what they want to hear and watch what happens: instant a-hole.

Should she apologize to Simon? Who cares. More importantly should she extract her head from anal cavity and stop being a conceited bitch? It couldn’t hur
t.

Do you agree?

What do I think? Glad you asked. Being ungrateful for the show that gave you exposure so you could get your Oscar role is pitiful. Jen's gonna have shitty karma if she continues with this holier-than-thou mess. Her shit doesn't smell like roses. It smells like fried chicken and biscuits.[source]

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Film savaged by Hindu zealots opens in India

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Randeep Ramesh in New Delhi [ Guardian Unlimited]

Lisa Ray and John Abraham star in Water, directed by Deepa Mehta.


A controversial Oscar-nominated Indian picture has finally been released in the country in which the script is set - seven years after a horde of Hindu fundamentalists forced the director to shoot the film in Sri Lanka.

Deepa Mehta's Water is set in the ferment of pre-independence India and examines the social exclusion of Hindu widows, who are shunned by society after the loss of their husbands.

Hindu fundamentalists in 2000 decided that the movie's plot and its depiction of the appalling conditions experienced by a child-widow on the burning ghats (pyres) of the river Ganges were an insult to the country's dominant religion.

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Win tickets to see Danny Boyle at BFI Southbank

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British director Danny Boyle will be on stage at BFI Southbank (formerly the National Film Theatre) in London on Monday March 19 to discuss his latest film, Sunshine, and his career to date. We have three pairs of tickets to give away to the preview screening and interview.

Danny Boyle burst on to the filmgoer's consciousness with 1996's freewheeling Trainspotting, turning Irvine Welsh's novel about a bunch of loser heroin addicts in Edinburgh into a hyperkinetic, epochal award-winning film, pleasing audiences and critics alike.

With screenwriter John Hodge, Boyle unleashed his distinctive storytelling style in such urban comedies of manners as Shallow Grave and A Life Less Ordinary. Since 2000, Boyle has partnered with novelist Alex Garland, adapting the latter's The Beach, and moving into dystopian horror territory with 28 Days Later.

Please provide a daytime telephone number. We will only use it to contact you if you win.


More information, go to The Guardian

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Win tickets to the UK premiere of 300 in London on March 15 2007

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300, the chest-thumping, shot-by-shot film adaptation of Frank Miller's graphic novel about the Battle of Thermopylae, is getting its UK premiere in London's Leicester Square on the evening of Thursday March 15 2007. We have four pairs of tickets to give away.

The story centres on King Leonidas and his vastly-outnumbered band of 300 Spartans who mount a suicide mission against the might of the Persian army in 480BC, an action that would inspire all of Greece to unite against the invaders.

Directed by Zack Snyder of Dawn of the Dead fame and starring Gerard Butler and Lena Headey, the film brings Miller's acclaimed graphic novel to life by combining live action with virtual backgrounds that capture his distinct vision of this ancient historic tale.

The film opens nationwide on March 23, but for your chance to be at the UK premiere on March 15, just fill in the blank below:

Please provide a daytime telephone number. We will only use it to contact you if you win.


Terms and condititions:

1. The competition will close at midnight on Tuesday March 13 2007.

2. The four prizes are pairs of tickets to the UK premiere of 300 at the Vue in London's Leicester Square on the evening of Thursday March 15 2007. No other expenses included.

3. The competition is not open to employees, agents, contractors or consultants of Guardian Newspapers Ltd. or their families or anyone professionally connected with the prize draw.

4. The winner will be chosen at random from correct entries received, the editor's decision is final.

5. Entrants must be resident in the UK and be 18 years of age or over.

6. Guardian Newspapers Ltd. is not responsible for incorrect e-mail or postal addresses or for problems with entries caused by any factors outside our control.

7. Winners will be notified by telephone on Wednesday March 14 2007.

8. Prizes are subject to availability and Guardian Newspapers Ltd. reserves the right to substitute alternative prizes of similar value.

9. Prizes are non-transferable and no cash or other alternatives are available.

10. Third party entries into draw will not be accepted.

11. No purchase necessary.

For more information, click here

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Movie Review: "The Good German"

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Details: 2007, USA, Drama, cert 15, 107 mins, Dir: Steven Soderbergh
With: Beau Bridges, Cate Blanchett, George Clooney, Tobey Maguire
Summary: Based on the book by Joseph Kanon, where a US military correspondent becomes entangled in a former lover's attempt to escape postwar Berlin.


Of all the favourite movie classics in all the towns in all the world, they walk into mine. With their great big ironic hobnail boots. Director Steven Soderbergh and his leading man, George Clooney, have cooked up a monumentally misjudged, self-regarding and emptily cynical take on 1940s thrillers in general, and Casablanca in particular, by making a glossy pastiche noir set in the shattered ruins of 1945 Berlin. Clooney is the lantern-jawed American reporter, attached to cover the Potsdam conference, who stumbles upon a murder and an establishment cover-up; Cate Blanchett is the local shady lady with a secret and Tobey Maguire is the creepy American soldier who's way out of his depth.

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Movie Review: "Becoming Jane"

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Details: 2007, UK/USA, Drama/Romance, cert PG, 120 mins, Dir: Julian Jarrold
With: Anne Hathaway, James Cromwell, James McAvoy, Julie Walters, Laurence Fox
Summary: The story of Jane Austen's youthful romance with a lawyer, said to be the template for Mr Darcy.

Lovers of Jane Austen may wish to look away from the newspaper during the following sentence, or even pop into an adjoining room and strum out a lively air on the spinet. This speculative biopic of Jane Austen's love life features a scene in which the author's father, the Rev Mr Henry Austen, snuggles down to perform an act of oral love upon his lady wife, Jane's mother. Played by Julie Walters. With the cares of so many children, it was perhaps the only intimacy he considered prudent. This moment is enough to give you an attack of the vapours, as is the icky superciliousness of that pun in the title. There is a persistent undertow of tweeness that never entirely goes away: it is a picture whose mannerisms have been learned from other Austen adaptations - but learned assiduously and effectively.

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Movie Review: "Inland Empire"

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Details: 2006, Rest of the world, cert 15, 172 mins, Dir: David Lynch
With: Grace Zabriskie, Harry Dean Stanton, Jeremy Irons, Justin Theroux, Laura Dern
Summary: According to director David Lynch this is about "a woman in love who is in danger". No one else seems very sure.

Down the rabbit hole... Inland Empire

The great eroto-surrealist David Lynch has gone truffling for another imaginary orifice of pleasure, with results that are fascinating, sometimes very unwholesome, and always enjoyable. His new film can best be described as a supernatural mystery thriller - with the word "mystery" in 72-point bold. A Hollywood star called Nikki Grace, played with indestructible poise and intelligence by Laura Dern, accepts the heroine's role in an intense southern drama about adultery and murder, working with a roguishly handsome leading man (Justin Theroux) and an elegant British director (Jeremy Irons). But to her bafflement and then terrified dismay, Nikki discovers that the script is a remake of a lost, uncompleted Polish film, and that the project is cursed. The original lead actors died, as did the poor devils in the folk tale of fear on which it was based.

The nightmare goes on and on - for three hours, in fact. But believe me when I say that, though this is familiar Lynch stuff, it is never dull, and I was often buttock-clenchingly afraid of what was going to happen next and squeaking with anxiety. The opening scene, in which Nikki is visited by a creepy neighbour (Grace Zabriskie) is so disturbing, I found myself gnawing at a hangnail like a deranged terrier.

The epic length of Inland Empire is perhaps explained by the freedom afforded by the cheaper digital medium, with which the director is working for the first time, handling the camera himself. Unlike the plasma TV screens in Dixon's, David Lynch is evidently not HD-ready; this is ordinary digital video we're talking about, with all its occasional gloominess and muddiness, and for which the director is compensating by using many big, almost convex closeups. Vast fleshy features loom out of the grainy fog.

Chief among these is Laura Dern's wonderful face: equine and gaunt, sometimes, but always lovely and compelling in a way that goes quite beyond the cliche of "jolie laide". It is either radiant or haunted, and in one terrible sequence transformed into a horror mask that is superimposed on to the male face of her tormentor. These searing images made me think that Lynch is still inadequately celebrated as a director of women, with a sensitivity somewhere between Almodóvar's empathy and Hitchcock's beady-eyed obsession.

Inland Empire is, as with so many of Lynch's movies, a meditation on the unacknowledged and unnoticed strangeness of Hollywood and movie-making in general, though I am bound to say that it does not have anything like Naomi Watts's marvellous "audition" scenes in Mulholland Drive. The director's connoisseurship of Hollywood, his anthropologist eye for its alien rites, are however as keen as ever.

Lynch is entranced by the straight movie-making world: he loves the stars on the Hollywood Walk of Fame - something awful happens here on Dorothy Lamour's star - the rehearsals, the shooting, the cutting and printing and checking the gate, and he loves the spectacle of actors walking contemplatively beside enormous sound-stages, for all the world as if they are in Singin' in the Rain. Yet he finds something exotic and bizarre in it; these qualities are not superimposed on normality, however; he finds the exoticism and bizarreness that were there all along.

Because watching movies is a bizarre business, and a movie creates its own world, in some ways more persuasively cogent and real than the reality surrounding it, Lynch positions himself in the no man's land between these two realities and furnishes it with a landscape and topography all his own. Nobody else brings out so effectively the hum of weirdness in hotel furniture, in Dralon carpeting and in smouldering cigarette butts in abandoned ashtrays. His music and sound design, with echoes and groans, are insidiously creepy, though only once does he gives us the signature Lynch motif: the slow vibrato on an electric guitar chord.

He establishes a bizarre series of worm-holes between the worlds of myth, movies and reality, with many "hole" images and references, which culminate horribly, and unforgettably, in a speech from a homeless Japanese woman over Nikki's prostrate body about a prostitute who dies on account of a "hole in her vagina wall leading to the intestine". It is a gruesome but gripping image of how the vast, dysfunctional anatomy of David Lynch's imaginary universe is breaking down and contaminating itself. This gigantic collapse is perhaps the point, and the film-versus-reality trope is simply the peg on which to hang a gigantic spectacle of anarchy with no purpose other than to disorientate. It is mad and chaotic and exasperating and often makes no sense: but actually not quite as confusing as has been reported. Even the most garbled of moments fit approximately into the vague scheme of things, and those that don't - those worrying rabbits - are, I guess, just part of the collateral damage occasioned by Lynch's assault on the ordinary world. How boring the cinema would be without David Lynch, and for a long, long moment, how dull reality always seems after a Lynch movie has finished. [source: The Guardian]

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The Best Movie of The Week

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Inland Empire
In which David Lynch leads us through the wormhole to who-knows-where. This warped and wild work kicks off with a tale of a cursed film script, then proceeds to take in Polish gangsters, LA hookers and a perplexing 'rabbit sitcom' complete with canned laughter. Inland Empire is very long, very dark and constantly confounding. But it is unlike anything else you will see this year.

Hot Fuzz
Nick Pegg is the go-getting London copper who finds himself dropped into the heart of sleepy Gloucestershire, Nick Frost is his gallumphing, day-dreaming sidekick ... and Hot Fuzz is pretty much where it's at; a wry, funny, genre-spinning Britcom and just another recent highlight of a national cinema turned suddenly interesting again.

Notes on a Scandal
This stealthy adaptation of the Zoe Heller novel makes for a psychological thriller that Hitchcock or Chabrol would be proud of. Cate Blanchett is the hippy-dippy London teacher who is fatally undone by an all-seeing obsessional colleague (Judi Dench). Blanchett is fine but it's Dench who steals the show.

Letters from Iwo Jima
Clint Eastwood's companion piece for Flags of Our Fathers views the conflict from the Japanese side. This is a sombre, quietly harrowing portrait of the loss and waste of war; a memorial in monochrome.

The Science Of Sleep
Michel Gondry's spy autobiographical feature casts Gael Garcia Bernal as the hyperactive fantasist who has trouble separating his dreams from his humdrum reality. It's a fresh, quirky and wildly inventive fable that nonetheless comes tinged with sadness.[source: The Guardian]

Norah Jones comes clean on how she landed film role

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Crossover artist... Norah Jones has made her film debut. Photograph: Jacques Brinon/AP


Norah Jones tumbled into her first acting role in Wong Kar Wai's My Blueberry Nights, she admitted this week.

The singer-composer revealed that when the Hong Kong director summoned her to a meeting she thought it was to discuss music for the film. "Then he asked me if I wanted to be in a movie, and I said, 'I love film. I'd love to try it, but I don't know if I can act,'" Jones is quoted as saying on Ananova.com. "And he said 'Ah, you'll be fine.'

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Porn actors do it for Catalan

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Giles Tremlett in Madrid

The Catalan regional government has decided to fund a series of blue movies after deeming them useful for spreading the Catalan language.

The grants of £10,000 to a local film-maker are for what he described as women-friendly erotic films called Laura is Not Alone, The Memory of Fish and The Sea Isn't Blue.

The actors embark on numerous sexual adventures, including those of a "religious, faithful and hardworking" middle-class girl who has regular weekly meetings with a stranger and is introduced to, among numerous other things, lesbian sex. The movies are marketed as "erotic films for women", with male director Conrad Son claiming that one, about a male executive, is "for women who want to understand us".

Son has argued that as an experienced producer of pornographic films he was well placed to judge whether they had gone over the limit. The existence of plotlines and the "non-explicit" nature of the sex scenes meant they were artistic rather than pornographic, he said.

Spain's conservative ABC newspaper accused Catalonia's Socialist-led coalition government and the separatist Catalan Republican Left party (ERC) of sinking to new depths. "To publicly fund pornographic films ... borders on misappropriation of taxpayers' money," it said.

Separatist politicians backed the Catalan filmmaker. "Any normal language is able to penetrate the most obscure places," Josep-Lluís Carod-Rovira, the ERC leader, told ABC.



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[source: the guardian]

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Angelina Jolie deeply affected by her work with refugees

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In a new interview with Newsweek, Angelina Jolie comes off as thoughtful, caring, and deeply moved by her over six years of work as a goodwill ambassador for the UN High Commissioner for Refugees. She says as her film schedule brought her to places where refugees were suffering like Cambodia she started to learn about the dire situations that people were in and wanted to help however she could.

Angelina approached the UN herself and said that they were a bit incredulous at first, but gave her a chance to help. She she didn’t want pictures taken of her work with refugees and that it took her a while to allow photographers to come with her. She usually travels alone to the field with just a photographer.

This interview was pretty moving to me, and includes a very touching photograph of Angelina holding a 7 year-old boy tied to a tree. He was just three when he went missing in Dafur for two days while his village was bombed, and was never the same since. He now lives with his mother and four siblings in a refugee camp in Chad. His mother keeps him tied up so that he won’t run away or hurt himself.

Angelina said that there are always people who will criticize her, but that her work speaks for itself and she can’t let negative opinions keep her from helping people:

When did it occur to you that you could do something about this directly? Did people approach you or —
I approached them. I think they thought I was a little crazy.

When was this?
Six years ago. I was very nervous to call the U.N. agency at the time. I [was] considered a rebel in Hollywood. At the time I was also a bit of the wild child. So first I went to Washington [to the UNHCR office] and I sat with everybody there and said, “You know, I know you don’t know me. You might have heard things about me… And I don’t want to bring negative attention to your agency. If you could just help me, I’ll pay my way.”

I spent the next year and a half going to, first, two camps in Africa, and then Pakistan and Cambodia. And with no cameras and with no press and had the opportunity to have this great education before I spoke at all…. I was transformed in such an amazing way.

But you do have photographers following you now.
It took me a while to agree to do it. I guess I saw that so many times the picture comes before the knowledge and the substance and I certainly didn’t want to do that to myself or the organization. And also, I really just was shy. I was shy about sitting on the floor and talking to a woman and having a camera take a picture because I thought it was making less of my conversation with her. But… I was changed by the faces of the people I saw. “It is something that I am incapable of describing…those faces and that place and those people. And so I think it’s just—let the people speak for themselves through the camera. And if I can draw you in a little because I’m familiar, then that’s great. Because I know that at the end you’re not looking at me, you’re looking at them.

I think it’s fair to say people start out by looking at you, Angelina.
As long as they end up looking at them, that’s the point.

Do you worry about people who say this is celebrity tourism?
I don’t know if anybody saying that has spent the last six years of their life going to over 30 camps and really spending time with these people. I can’t care. At the end of the day, I’m sure a lot of criticism could keep a lot of people from doing this kind of work…

If someone had a direct criticism of my opinion on the issue, if someone had a direct criticism of the image shown because they think it hurts somebody then I will take that into consideration. But there are a lot of people that simply have an immediate gut reaction and they just don’t want to combine artists with foreign policy. And hey, I understand. I get it. I know where you’re coming from. And to each his own. … You know, I was more shy when I first went into a camp that other field officers would not want me there.

You were worried that you’d get in the way.
Yeah. That’s why I brought no media, it’s why I sat back. That’s why I just helped them load things. And if I felt that I was ever getting in the way, I wouldn’t do it. Because I do care about the opinion of the aid worker, I do care about the opinion of the refugee. I care less about the opinion of the person who’s never been in the field but has an opinion about celebrity.

Do you still go with so few people? I can’t believe you take no one with you…
I take no one. I [go] by myself on a commercial plane and into the field with my backpack….

When you got there, what were the people saying about their situation? There are several photographs with this boy tied to a tent pole, and there’s also another photograph of a group of women near some tents, and one of them has her ankles chained.
The first time I saw that in the camp [it was] obviously really shocking. They are people who are traumatized by the bombing [by Sudanese government forces attacking villages in Darfur] and by war. The old woman may have had some dementia before. The reality is there are one or two aid workers for every 2,000 refugees. The same with the doctors, the therapists. The basic need there [is] to just try to keep these people safe. To keep the tents up in all the sand storms, try to get the food distributed and basic health-care needs. The [chained] woman started to beat her daughter with anything she could find. She kept hearing voices of the people yelling at her. So she feels constantly under attack. I’m no therapist, so I don’t understand all the details. But when I did try to talk to her, she seemed pretty rational. But then she started aggressively telling me that I had to stop them from putting snakes on her. And for the people to stop yelling at her and for the bombs to stop dropping.

And the little boy?
The little boy was a normal 3-year-old [now 7] who disappeared for 48 hours after [his village was bombed]. I can only imagine what he saw. Sure he saw death. And when found, he was found in a state…

As a first reaction you want to remove [the rope]. But the mother, she has four other kids, she’s by herself. Therapists visit him, but if [he’s] left alone he will disappear or bang himself. I talked to him for like half an hour and just kind of looked at him for a long time before he touched me and there was a little boy in there who was open to a kind sound.… There’s a normal little kid right there, but he’s got a look of fear. He’s nervous to touch. And you can feel that need for safety. The mother unfortunately can’t not go work for the other children and can’t sit with him all day long and hold him, which is probably what would do some good. But what he needs is probably some serious therapy. [There are] lots of children like him there. Lots of victims of war. [It’s a] whole other thing that you usually don’t get to address because they have to be so focused on the basic needs of survival. These are the many other casualties of the kind of war that is happening in Darfur.

Angelina said she was distraught when faced with so much suffering, and that she finds it overwhelming at times. She said “The first two years I cried constantly like a woman does,” when the interviewer asked her about it.

She also said she loves it in her new hometown of New Orleans, and that it’s a great place for her children, but that much work remains to be done post Katrina.

To me, this interview is in contrast with her pre-pregnancy talk with Ann Curry. As rude as it sounds, I wasn’t too blown away by her Dateline Interview before she had Shiloh and she came off as a bit insincere to me at the time. It was likely that she was just defensive over all the speculation around her upcoming birth.

I was skeptical of her due to the contrast of her extreme wealth and the entire hotel she booked up in Namibia with the povery-striken people she posed with. There also were a lot of stories at the time about her heavy-handed security staff and head bodyguard Micket Brett beating the shit out of people and threatening their lives.

Her security goons continued their rough ways while she was filming in India, and after a highly-publicized incident at a school where anxious parents were threatened and racists insults may have been used, she seems to have pulled in the reins and to have put a stop to their thuggish tactics.

Now that Angelina’s security staff has calmed down and she’s been seen out at events and walking in New Orleans with her children and Brad, it seems like public opinion is favoring her again. After reading this article, I’m reminded that she’s only human and was motivated by a desire to protect her family. She does so much more for charity than most celebrities, and it seems that she also wants to protect the fragile people she truly seems to care about.

You can help refugees by giving to the charity Angelina mentions in her interview, SOS Kinderdorp.

Thanks to Oh No They Didn’t and Soulie Jolie for the pictures and story.

[source]

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Marine porn star update. Borat, human rights abuse victim. Plus: Timberlake tries to save Britney?

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Kaplan to the rescue? Rick Kaplan, former head of both CNN and, until last summer, MSNBC, has been hired by CBS to take over as executive producer of "The CBS Evening News" in a bid to bring up Katie Couric's ratings. The New York Post reports that Couric's ratings are down slightly -- by 120,000 viewers -- from her predecessor Bob Schieffer's numbers a year ago. (Page Six)

Turkey bans YouTube: On Wednesday, a Turkish court ordered that access to YouTube be immediately blocked from Turkish Internet because of videos on the site allegedly insulting former Turkish leader -- and founder of the modern Turkish state -- Mustafa Kemal Ataturk. Visitors to the site are now greeted by a message saying "Access to this site has been blocked by a court decision!" (left), and the head of Turkey's largest Internet provider told reporters on Wednesday, "We are not in the position of saying that what YouTube did was an insult, that it was right or wrong. A court decision was proposed to us, and we are doing what that court decision says." The offending video is reportedly part of a "virtual war" that Greeks and Turks have been waging on YouTube recently, posting increasingly offensive videos. A poster tells Boing Boing that the video that spurred the ban "had a picture of Ataturk, his eyes bulging out, talking about how he's gay, insulting himself, talking about how all Turks are gay, etc." (Boing Boing, the Age)

Borat, human rights abuse victim: The State Department's annual global human rights abuses report, released on Wednesday, includes a chapter devoted to Kazakhstan's abuses. Among the country's other offenses -- for instance, the murder of Kazakhstan opposition politician Altynbek Sarsenbaiuly -- the State Department notes a crackdown on the freedom of speech: "The government deemed as offensive the content of a satirical site controlled by British comedian Sacha Baron Cohen and revoked the .kz domain." (Defamer)

White noise ... Apparently trying to prove there's literally nothing he can't do, Justin Timberlake is rumored to be trying to save Britney Spears' career, putting "his reputation on the line," according to an insider, by convincing Spears' label, Jive, not to drop her. (Socialite Life) ... Lance BassSimon & Schuster imprint Simon Spotlight Entertainment announced on Wednesday that it will publish Lance Bass' (right) autobiography about "his life, his music and his sexuality," to be titled, of course, "Out of Sync." (Associated Press) ... Cameron Diaz may have been recently linked with Tyrese Gibson in Los Angeles, but spies in New York tell Page Six that Gibson has been playing "kissy-face" with model and actress Melyssa Ford recently. (Page Six) ... R.I.P. Captain America -- the superhero, who has been fighting crime since 1941, was gunned down by a sniper in the series' latest issue, released on Wednesday. (N.Y. Times)

Talkers

CK in2uBlogno-scenty: Thirteen years after it released CK One, the mega-selling fragrance that, for some, embodied the essence of the mid-'90s grunge era, Calvin Klein is trying to capture the scent of the blogging, texting "technosexual" (a word the company coined and trademarked) generation. Hence the fittingly texty name of the new scent: CK in2u. A line from the press materials: "She likes how he blogs, her texts turn him on. It's intense. For right now." As the New York Times reports, though, not every Internet geek is going to be turned on by the scent's base play for tech cred. Gothamist food blogger Youngna Park tells the paper, "I just imagine kids putting on cologne to sit behind their computers. That's really weird," while CollegeHumor.com founder Zach Klein (no relation to Calvin) says, "Abbreviating in2u like that is lame, to put it simply." ("How to Bottle a Generation," N.Y. Times)

Update

Right-wing gay porn star redux: In his piece today for Salon ("Porn Free"), Fox News darling and Columbia student blogger Matt Sanchez -- whom we reported on yesterday -- writes about his past: "We have all done things we don't want advertised, and many of us may have identities we've outgrown, but the truth is, most of us haven't strayed far enough from the run-of-the-mill to rate more than a bit of whispered gossip from a snubbed co-worker. There are others of us, however, like me, who have the kinds of résumés that can keep everybody around the office water cooler smirking for days." He says, though, that his porno past led to his conservative present: "I started off as a liberal but I progressed to conservatism. Part of that transformation is due to my time in the industry. How does a conservative trace his roots to such distasteful beginnings? I didn't like porn's liberalism."

Buzz Index

; )

"Apple Unveils New Product-Unveiling Product" (The Onion)

Judgment

Shakespeare for dummies: Kevin Kline has the lead role in a new Public Theater production of "King Lear," but Times theater critic Ben Brantley, while admitting Kline is "an actor of a high order," is driven to desperation "trying to find something nice to say" about the play. Calling it "Lear Lite," he writes, "I have sat through worse productions of Shakespeare's most devastating tragedy than the one that opened last night, directed by James Lapine. But I have never seen one that left me so utterly unmoved or that seemed so perversely out of touch with the play's soul-wrenching depths as this whimsical storybook interpretation." ("Howl? Nay, Express His Lighter Purpose," N.Y. Times)

[source]

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Pulitzer finalists leaked? Salma Hayek pregnant and engaged? Plus: The word on this week's movies.

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Another Brady baby? A few weeks ago, NFL star Tom Brady got a surprise from ex-girlfriend Bridget Moynahan when she went public with the news that she's pregnant and the baby is his. Now he might be a daddy two times over: A Brazilian gossip site is reporting that Gisele Bündchen may also be carrying Brady's baby, now more than two months along. Brady started seeing Bündchen not long after splitting with Moynahan, whom he'd been with for almost three years. (Deadspin, Hollywood.com, Glamurama.com.br, Boston.com)

Leaked Pulitzer finalists: This year's Pulitzer juries spent three days at Columbia University this week making their votes for finalists, but as Editor & Publisher reports, their selections were leaked almost as soon as the voting ended. The true finalists won't be announced until April, but E&P has compiled its list of best guesses based on the leaks here. (Editor & Publisher)

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Heather Graham: Fun Is Her Middle Name

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By Michael O'Sullivan
Washington Post Staff Writer

Heather Graham just wants to have fun.

Over coffee in the lounge of a hotel just off Dupont Circle -- where the actress known for bubble-headed roles in "Austin Powers: The Spy Who Shagged Me" and "Boogie Nights" had alighted to promote "Gray Matters" (see review on Page 33), a romantic comedy about a woman who realizes she's gay after falling for her brother's fiancee -- it soon becomes clear what the guiding principle in her life is.

No, not Transcendental Meditation, which Graham has practiced ever since filmmaker buddy and meditation advocate David Lynch turned her on to it during the actress's 1991 stint as an ex-nun with a troubled past on Lynch's TV series "Twin Peaks." Her twice-a-day regimen is not just profoundly relaxing, she says, or even a way to tap into what Lynch has described as an ocean of bliss, but, more important, "fun."

Reading reviews of her work . . . eh, not so much.

Asked about the mixed notices given her sitcom "Emily's Reasons Why Not" (canceled a little more than a year ago after a single, ignominious airing), Graham says she doesn't pay attention to stuff like that. "I don't want to read what random people think about me," she says. "It just doesn't sound fun."

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Recently Released DVDs and Videos

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The following is a list of recently released DVDs and videos. All capsule reviews have been taken from The Washington Post's Weekend section.

"Borat" (R, 89 minutes): Borat, played with seamless disingenuousness by Sacha Baron Cohen, has come to America to make a feature-length documentary for the people of his home country (played by Romania). His tour of America begins in New York -- where Borat mistakes a hotel elevator for his room and later meets with a group of feminists ("Give me a smile, baby, why the angry face?"). But soon he's on his way to California and then through the South. As Borat cuts his wide and occasionally vicious swath, no petard goes unhoisted, a spectacle that delivers squeals, howls or at least low-level chuckles. The movie is a perfect combination of slapstick and satire, a Platonic ideal of high- and lowbrow that manages to appeal to our basest common denominators while brilliantly skewering racism, anti-Semitism, sexism and that peculiarly American affliction: we're-number-one-ism. Contains pervasive crude and sexual content, including graphic nudity, and profanity. DVD Extras: Deleted scenes; featurettes.

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300': A Losing Battle in More Ways Than 1

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By Stephen Hunter
Washington Post Staff Writer

Go tell the Spartans that their sacrifice was not in vain; their long day's fight under the cooling shade of a million falling arrows safeguarded the West and guaranteed, all these years later, the right of idiots to make rotten movies about them.

The story has been told and will be told again as long as there are tellers and listeners, because most people get it. Even kids get it. But "300" -- the new cartoonified version of the hard day's work at the Hot Gates on the coast of Greece, where 300 stood against a million-man march of Persians--is clueless.

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Mar 10, 2007

New Movie Review: "300"

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The world may wonder which character in this computer-generated extravaganza is President Bush's stand-in -- but that's the wrong question to ask.

A recent, characteristically beard-stroking New York Times article pondered the way reporters at an international press junket for the computer-generated extravaganza "300" -- an adaptation of comics guru Frank Miller's 1998 graphic novel about the 480 B.C. battle of Thermopylae -- zealously attempted to read the movie as a metaphor for George W. Bush's war on Iraq. Is the movie's Persian potentate Xerxes, a megalomaniac who considers himself both a god and a king, supposed to embody W.'s hubris? Or is Leonidas, the Spartan ruler who led 300 valiant Greek soldiers against a zillion-man Persian army, the real presidential stand-in?

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